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1995

Flaubert's Gymnastic Prescription for Bouvard et Pécuchet

In Bouvard et Pécuchet a consideration at a textual level of the protagonists' reading and misreading of Amoros's gymnastics manual reveals the process of Flaubert's production of irony.

Meyer, E. Nicole

Les Nouvelles de George Sand: fictions de l'étrangère

George Sand's five very distinct novellas, La Marquise (1832), Lavinia (1833), Métella (1833), Mattéa (1832) and Pauline (1841), share one important aspect.

Witkin, Sylvie Charron

Labyrinths in Balzac's Ferragus

Labyrinth imagery in Balzac's Ferragus (1833) is extensive and diverse. It depicts heroic struggle, both in the real world and in the hero's imagination.

Mileham, James

La Reine Margot et la pédagogie: Une esthétique de la défaite?

Dans cette étude, La Reine Margot est un prétexte à la mode pour analyser les nouvelles approches didactiques françaises à la littérature.

Beaudan, Colette

Innommable guillotine: la peine de mort dans Le Dernier Jour d'un condamné et Histoire d'Hélène Gillet

This article shows how the death penalty and its instrument (the guillotine) are literary themes of choice in Hugo's Le Dernier Jour d'un condamné à mort (1828-1829) and Nodier's Histoire d'Hélène Gillet (1832).

Lowe-Dupas, Hélène

Victor Hugo's Le Rhin and the Search for Identity

The letters that constitute Victor Hugo's Le Rhin are much more than the account of the poet's three trips to the Rhineland (1838-1840), which were combined into a single narrative.

Grant, Richard B

Union et désunion avec le père dans Ourika et Edouard de Claire de Duras

Because of their protagonists' common fate (death), femininity, and alienation, Ourika (1823) and Edouard (1824) have been read as metaphors for the female condition.

Bissière, Michèle

Chateaubriand, Verne, and Méliès: L'Effet d'irréel – Liminal Landscapes and Magic Shows

A common collage technique produces an effect of liminality in three texts by Chateaubriand, Verne, and Meliès.

Miller Frank, Felicia

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by Dr. Radut