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Driving Us Crazy: Fast Cars, Madness, and the Avant-Garde in Octave Mirbeau’s La 628-E8

Claire Nettleton
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“À nous deux,” Balzac: Barrès’s Les Déracinés, and the Ghosts of La Comédie humaine

François Proulx
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The “Accidental Murderer”: Jury Acquittal in Maupassant’s Crime Stories

Sara D. Schotland
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Keys: Press and Privacy in the Goncourts’ Charles Demailly

Edmund Birch
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La dramaturgie lamartinienne ou le postcolonial avant la lettre: le marronnage comme résistance dans Toussaint Louverture

Mouhamédoul A. Niang
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Prosper Mérimée’s Improvisatrice: The Voice of Corsican Lament in Colomba

Ruth E. Rosenberg
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Alfred de Musset et les beaux-arts: le poète en critique "sympathique"

Gilles Castagnès
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“Dans le passé mort”: Pierre Loti, Images, and Time

Caroline Ferraris-Besso
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“J’ai menti à la science”: Female Sexual Pleasure and the Limits of Medicine in Dubut de Laforest

Sharon Larson
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